Etikettarkiv: Photograph

Scott Landon

“Scott Landon is one of Canada’s most respected antique dealers, curators, design planners and collection management specialists. Focusing on pieces from Canada and the US in the last 250 years and onwards, Scott has built a reputation on understanding how antique pieces can compliment contemporary interiors and projects across residential, corporate and hospitality.The new design reflects Scott’s own appreciation for complimentary combination of modern & antique aesthetic influences.”

Designed by Glasfurd & Walker

Número Tres

“Three is a magic number. And three are the fashion designers who came together to create a new boutique store. For that reason in this brand’s all about 3. Three hooks, three shirts, three shoes, three designers.”

Designed by Siegenthaler & Co.

Gather

“Gather builds brands and marketing campaigns for the social good. Led by Simon Isaacs, a leading thinker in cause-marketing and grassroots movement building, Gather serves as an external chief-marketing officer working intimately with the world’s leading nonprofits, foundations and corporations to build and run some of the largest and most impactful campaigns for social good.

“Simon was interested in a simple, straight-forward yet impactful identity for this new venture. The logotype conveys a sense of movement and change and the industrial, hardworking letterforms imbues a feeling of strength and reliability; the combined qualities at the foundation of Gather. We intentionally kept a minimal color palette to highlight the natural textures of the application materials and supporting imagery.

“We designed Gather’s first holiday gift, a custom labeled bottle of maple syrup and greeting card, inspired by Simon’s roots in Vermont. The theme of the gift was sweet new beginnings — a wish for his friends, colleagues, and clients as well as a nod to the launch of Gather. We have been honored to partner with Gather on many incredible projects including Beespace, Aeras, Future Fortified, and Rock the Vote.”

Designed by  Apartment One

Lense A Part

“Old analog cameras are the starting point for ”lense a part”, a jewelry manufacturer from Vienna that makes disassembled cameras portable objects such as bracelets or chains – along the lines of ”upcycled recycled instead”. The graphical Gestaltungsbaukausten is composed of three elements. A clear typographical building in black and white, the complementary orange signs which are symbolic of the individual parts of the camera and the striking imagery of Lena Kinast showing the jewels in the application and the target group involves.”

Original:

Alte analoge Kameras sind die Ausgangslage für “lense a part”, eine Schmuckherstellerin aus Wien, die aus zerlegten Kameras tragbare Objekte wie Armreifen oder Ketten macht – frei nach dem Motto „upcycled statt recycelt“. Der grafische Gestaltungsbaukausten setzt sich aus drei Elementen zusammen. Einem klaren typografischen Aufbau in Schwarz-Weiß, den ergänzenden orangen Zeichen, die sinnbildlich für die Einzelteile der Kamera stehen und der prägnanten Bildwelt von Lena Kinast, die die Schmuckstücke in der Anwendung zeigt und die Zielgruppe miteinbezieht.

Designed by Josef Heigl

Ralf Obergfell

Known as a photographer with an eye for detail, Obergfell’s identity recreates a linen tester – the photographer’s eyeglass used for inspecting the finer details of a print.

”As he covers a diverse range of photographic styles and genres, Obergfell’s business card is designed to hold his latest work, cut straight from the contact sheet. Appearing through its own eyeglass, each shot can be tailored to appeal to its individual recipient.

Designed by Magpie Studio

Beetroots

”Beetroots’ business cards focus on the individual that is the nucleus of our team while the team’s name and logo (a beet) is only present via an off-centre placed watermark covering a part of each member’s photo. Apart from the photo and watermark there is no other information on each card, but each agents Beetroot mail as an emphasis to the most and arguably only important communication information for getting in touch with the team, with our website, clearly suggested in the mail address, in a time were the internet is omnipresent. Beetroots’ business cards invite either the giver or the receiver to intervene by drawing facial or other characteristics. As a result a personal humorous interaction with the cards makes them valuable and hard to forget. The cards formulate a statement that the team is consisted of particular individuals rather than nameless employees and they ensure that the cardholder will never forget the person who gave it to her or him.”

Designed by Beetroots

Lars Swanson

”Lars Swanson is a talented young photographer in Minneapolis, Minnesota. He needed a brand presence that would help him stand out from the competition, but didn’t have the money to print costly brand materials. So we leveraged traditional photography elements to be the identity materials for him. 35mm slides for business cards and Polaroids for direct mail cards were customized using rubber stamps and handwriting. Stamps were also used to brand the stock envelopes and direct mail holders, giving Lars the ability to create these pieces as he goes. Endless combinations of Polaroid images, paper stocks and ink stamp colors, allows Lars to make each mailer unique to the recipient. No two are alike. Little cost and big impact has been the result.”

Designed by Soulseven

Polaris

”Polaris Payroll Consulting – an accounting company that works for ExPat employees – approached us with the problem of trying to explain a convoluted and difficult to describe product. Then they went with a different firm. But when that attempt went south they came back.

”We also would need to combat the confusion with a similarly titled but completely unrelated website, Polaris Payroll. Realizing this, we knew we knew Polaris Payroll Consulting needed a new name in addition to a new brand with a website that clearly explained the product.”

Designed by Urban Influence