“Food photographer Stephen Conroy commissioned us to develop an identity for his studio so we created a mark and identity system that extends to stationery, packing tape, stamps, stickers, templates, etc.”

Designed by Spin

“Humo is a communication agency founded by two Argentine philophers. They write about many diverse topics, the brand itself has a slighty subversive personality, specially due to the intangible nature of the services it provides.

“We literally represent Humo (smoke) in a peculiar typographic treatment, the smoke spreads all over the clean stationary.

“The strong symbol and the 3-tone-color palette are combined with big white spaces in order to allow and clear the essence communications of the brand.”

Designed by TwentyFive

“Nowe logo Teatru Śląskiego przywodzić ma na myśl trzy jego odrębne sceny, których różnorodny repertuar oddaje artystyczne spektrum instytucji. Zaproponowany znak graficzny ma wiele konotacji:
— skojarzenia z czerwoną różą — eleganckim motywem kwiatowym, nawiązującym do tradycji modernistycznych,
— zazębiające się wielokąty nadają sygnetowi dynamiczny i industrialny charakter dominujący w naszym regionie, kształt trzech brył nawiązujący do jednego z największych bogactw Śląska — węgla,
— wielokąty przyjmują też kształt kalejdoskopu — optycznego, magicznego urządzenia, przez które można podglądać nierzeczywiste obrazy, specyficzny spektakl barw i kształtów.”

Translation:

The new logo of the Silesian Theatre has to remind the thought of his three separate scenes , which a diverse repertoire reflects the artistic spectrum of institutions. The proposed logo has many connotations :
– Associations with red rose – elegant floral motif , reminiscent of the modernist tradition ,
– Overlapping polygons give sygnetowi dynamic and industrial predominant in our region , the shape of the three blocks referring to one of the greatest assets of Silesia – coal,
– Polygons take the shape of a kaleidoscope – optical magical device through which you can view unreal images, unique spectacle of colors and shapes .

Designed by Marta Gawin

“Branding for ONNO – design studio founded by Ena Bacanovic, driven by simplicity, curiosity and creativity.”

Designed by ONNO

“Branding and packaging for a dynamic and ambitious food spreads industry.

“It was the vision of the company to surf on flavors that draw us to the brand name. We designed the logo being eye witnesses of a relationship grown-up between a surfboard and a cutlery in the theater of the production circle, while the waves claim the center of the design in order to emphasize the spread character of the products. The colors of the corporate identity picked up by the painting of the headquarters.”

Designed by Cursor

“Luna is a knitted accessories boutique located in Irkutsk, Russia which provides high end knitted garments and blankets to newborn babies and moms. With a very soft look and feel, the identity brings a calm atmosphere with an exquisite touch to represent the care and attention to detail they have manufacturing each product.”

Designed by Gustavo Freitas

“New York-based photographer John Dolan specializes in interior and architectural photography. He combines advanced lighting techniques and large-format photography with digital imaging. John’s approach yields images that authentically capture spaces, structures, and designs. Basing the logo on the form and shape of his 4×5 camera bellows, we created a mark that is geometric, spacial, and iconic to his media. The repeating pattern of the bellows icon also mimics the abstract forms of his initials. Condensed typography balances the tall and compressed forms of the logo creating a uniquely custom mark.”

Designed by Bluerock Design Co.

“Insider Guides are a series of free, annual guides, given to prospective and current international students. They are designed to equip international students with the tools to enjoy Australia on their terms.

“Our intention with these guides was to create something different to the conventional student guide. Instead we sought to design a collectable piece that students would enjoy and hold onto. For the vibrant illustrations we enlisted the help of illustrators we admire, Andrew Fairclough of Kindred Studio and MUTI. The layout complements the rest of the branding, using a strong grid system and a single tone colour system to differentiate sections and editions. Our hope that the Guides evoke the excitement and sense of adventure, that moving to a new country brings.”

Designed by Sean Kane

“Fictional branding for a ballet dance academy based on the Benesh Movement Notation, a dance notation system developed in the 1940s. ”

Designed by muskat